I NOSTRI INCONTRI

[genziana]

SIRACUSA, ALESSANDRO PREZIOSI in scena

con PROMETEO APRE i festeggiamenti per il

2750° Anniversario di Fondazione della Città

conferenza stampa giovedì 20 luglio mattina, nella sede dell'Assessorato ai Beni Culturali,

SIRACUSA : https://www.facebook.com/pg/eventisiracusa2750/videos/?ref=page_internal

"PROMETEO" reading di e con Alessandro PREZIOSI

produzione : KHORA.teatro; live set di Paky Di Maio

20 luglio '17 Castello di Maniace 21:00 p.zza d'Armi

con il Patrocinio di:
- Ass.to Turismo Sport Spettacolo Regione Siciliana
- Comune di Siracusa
- Siracusa2750

a cura di: Comunità Euro-Afro-Asiatica del Turismo








Arena piazza d'Armi al Castello Maniace sull'Isola di Ortigia, Siracusa

biglietti da stamane al Botteghino e presso Biglietteria al Palazzo del

Governo di Siracusa in via Roma, apertura 10.30-13.30/16.30-18.30








_________________

[genziana]

https://www.youtube.com/watch?v=IXEZaJScvTs 20/07/17 SIRACUSAoggi.it
http://www.siracusaoggi.it/siracusa-alessandro-preziosi-e-prometeo-recital-questa-sera-in-piazza-darmi/

_________________

[genziana]

[Helena x]

Mia cara Giuliana!

Grazie mille per le bellissime foto....

In bocca al lupo per stasera caro Alessandro....

Il tuo PROMETEO sará sicuramente unico come tu....

Helena!
_________________

[PATRICIA 22]

Alessandro, here is part 1 of a letter Vincent wrote to Theo in which he speaks of père Pissarro and if he would consent to go into an asylum in Paris in the event of moving.

From: Vincent van Gogh
To: Theo van Gogh
Date: Saint-Rémy-de-Provence, on or about Friday, September 20, 1889

My dear Theo,
Thanks very much for your letter. First, it gives me very great pleasure that you, for your part, had also already thought of père Pissarro.
You’ll see that there are other possibilities, if not there then elsewhere. Now business is business, and you ask me to answer categorically – and you’re right to do so – if I would consent to go into an asylum in Paris in the event of moving immediately for this winter.

I answer yes to that, with the same calmness and for the same reasons as I entered this one – even though this asylum in Paris might not be ideal, which might easily be the case, for the opportunity to work isn’t bad here, and work my only distraction.

But that being said, I’ll point out to you that in my letter I gave a very serious motive as a reason for wishing to move.
And I insist on repeating it – I’m astonished that with the modern ideas I have, I being such an ardent admirer of Zola, of De Goncourt and of artistic things which I feel so much, I have crises like a superstitious person would have, and that mixed-up, atrocious religious ideas come to me such as I never had in my head in the north.

On the assumption that, very sensitive to surroundings, the already prolonged stay in these old cloisters which are the Arles hospital and the home here would be sufficient in itself to explain these crises – then – even as a stopgap – it might be necessary to go into a lay asylum at present.

Nevertheless, to avoid doing or appearing to do anything rash, I declare to you, after having thus warned you of what I might desire at a given moment – that is, a move – I declare to you that I feel sufficiently calm and confident to wait a while longer to see if there’ll be a new attack this winter.

But if then I was to write to you: I want to get out of here, you wouldn’t hesitate and it would be arranged in advance, for you would know then that I’d have a serious reason, or even several, to go into a home that wasn’t run like this one by the nuns, however excellent they might be.

Now if by some arrangement or another we might move sooner or later, then let’s begin as if almost nothing was wrong, at the same time being very prudent and ready to listen to the least thing that Rivet has to say, but let’s not set ourselves immediately to taking overly official measures as if it were a lost cause.

Vincent


"and then, I have nature and art and poetry, and if that is not enough, what is enough?”
― Vincent van Gogh

"I have the terrible feeling that, because I am wearing a white beard and am sitting in the back of the theatre, you expect me to tell you the truth about something. These are the cheap seats, not Mount Sinai."
―Orson Welles

"Love looks not with the eyes, but with the mind, And therefore is winged Cupid painted blind."
―William Shakespeare

Later Preziosi, Toodles! me.

_________________
Patricia.

"Hell is empty and all the devils are here."
―William Shakespeare

[genziana]

[genziana]

SIRACUSA, ALESSANDRO PREZIOSI in scena

con PROMETEO ha aperto celebrazioni per il

2750° Anniversario di Fondazione della Città

https://www.facebook.com/eventisiracusa2750/videos/472870779726047/

"PROMETEO" reading di e con Alessandro PREZIOSI

produzione : KHORA.teatro; live set di Paky Di Maio

20 luglio '17 Castello di Maniace 21:00 p.zza d'Armi

con il Patrocinio di:
- Ass.to Turismo Sport Spettacolo Regione Siciliana
- Comune di Siracusa
- Siracusa2750

a cura di: Comunità Euro-Afro-Asiatica del Turismo



_________________

[genziana]

[PATRICIA 22]

Alessandro, in part 2 of a letter Vincent wrote to Theo on or about September 20, 1889, Vincent talks about grief, Carmen Sylva, Millet, his mother, his sister Wilhelmina "Wil" van Gogh and his lesser known brother Cornelious "Cor" van Gogh.

From: Vincent van Gogh
To: Theo van Gogh
Date: Saint-Rémy-de-Provence, on or about Friday, September 20, 1889

As regards eating a lot, I’m doing so – but if I was my doctor I would forbid it.
Not seeing any good for myself in really enormous physical strength, for if I absorb myself in the idea of doing some good work and wanting to be an artist and nothing but that, that would be the most logical thing.
Mother and Wil, each for their part after Cor’s departure, have changed surroundings they were darned right. Grief mustn’t build up in our souls like the water of a swamp. But it’s sometimes both costly and impossible to move. Wil wrote very well, it’s a great grief for them, Cor’s departure.

It’s funny, just at the moment when I was making that copy of the Pietà by Delacroix I discovered where that canvas has gone. It belongs to a queen of Hungary or another country around there who has written poems under the name of Carmen Sylva. The article which talked of her and of the painting was by Pierre Loti, who made one feel that this Carmen Sylva was as a person yet more touching than what she writes – and yet she writes things like this: A woman without a child is like a bell without a clapper – the sound of the bronze would perhaps be very beautiful, but no one will hear it.

At present I have 7 copies out of ten of Millet’s Travaux des champs.
I can assure you that it interests me enormously to make copies, and that not having any models for the moment it will ensure, however, that I don’t lose sight of the figure. What’s more, it will give me a studio decoration for myself or another.

Vincent


“What color is in a picture, enthusiasm is in life.”
― Vincent van Gogh

"Truth is by nature self-evident. As soon as you remove the cobwebs of ignorance that surround it, it shines clear."
―Mahatma Gandhi

"When my cats aren't happy, I'm not happy. Not because I care about their mood but because I know they're just sitting there thinking up ways to get even."
―Percy Bysshe Shelley

Later Preziosi, Ciao! me.
_________________
Patricia.

"Hell is empty and all the devils are here."
―William Shakespeare

[genziana]

[marystone]

Quanto mi è dispiaciuto non poter assistere al recital di Alessandro a Siracusa!!!
So che è stato bellissimo ed è piaciuto tanto!!!
Evviva Alessandro....la mia terra ti ama e ti accoglie con calore e ammirazione!!!
Torna presto!!!!

Un forte abbraccio
mariella
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[PATRICIA 22]

Alessandro, in part 3 of the letter Vincent wrote to Theo on or about Friday, September 20, 1889. Vincent mentions a number of paintings and compares painters to music.

From: Vincent van Gogh
To: Theo van Gogh
Date: Saint-Rémy-de-Provence, on or about Friday, September 20, 1889

I would like also to copy the Sower and the Diggers.
There’s a photo of the Diggers after the drawing.

(Note: In October 1889 van Gogh made a painting after it: Diggers (after Millet)

And Lerat’s etching of the Sower at Durand-Ruel’s.
In these same etchings is the Field under the snow with a harrow. Then The four times of the day, there are examples of them in the collection of wood engravings.

(Note: Between the end of October 1889 and January 1890, van Gogh made paintings after all four prints: Morning: going out to work (after Millet), Noon: rest (after Millet), The end of the day (after Millet), and Evening (after Millet)

I would like to have all of this, at least the etchings and the wood engravings. It’s a study I need, for I want to learn. Although copying may be the old system, that absolutely doesn’t bother me at all. I’m going to copy Delacroix’s Good Samaritan too.

(Note: van Gogh made the painting The Good Samaritan (after Delacroix) after it in May 1890.)

I’ve done a portrait of a woman – the orderly’s wife – which I think you’d like. I’ve done a repetition of it which wasn’t as good as the one from life.
And I fear that they’ll take the latter, I would have liked you to have it. It’s pink and black.

(Note: The portrait of Jeanne Trabuc is known only in the version sent to Theo. It is not known whether this was the first or the second version.)

Today I’m sending you my portrait of myself, you must look at it for some time – you’ll see, I hope, that my physiognomy has grown much calmer, although the gaze may be vaguer than before, so it appears to me. I have another one which is an attempt from when I was ill.

(Note: in a previous letter van Gogh wrote that he had begun this painting the first day he was up again.)

But I think this one will please you more, and I’ve tried to create something simple, show it to père Pissarro if you see him. You’ll be surprised what effect the Travaux des champs take on in color, it’s a very intimate series of his. What I’m seeking in it, and why it seems good to me to copy them, I’m going to try to tell you. We painters are always asked to compose ourselves and to be nothing but composers.

Very well – but in music it isn’t so – and if such a person plays some Beethoven he’ll add his personal interpretation to it – in music, and then above all for singing – a composer’s interpretation is something, and it isn’t a hard and fast rule that only the composer plays his own compositions.

Vincent


"I would rather die of passion than of boredom.”
―Vincent van Gogh

"Where I found truth, there found I my God, who is the truth itself."
―Saint Augustine

"I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach."
―Alfred Hitchcock

Later Preziosi, Namaste! me.
_________________
Patricia.

"Hell is empty and all the devils are here."
―William Shakespeare

[genziana]

[Marisol]

Caspita, quanta attività professionale negli ultimi giorni prima della meritate vacanze!!

Caro Ale, vai arrivare alle vacanze, esaurita!!

Tanti baci con grande affetto da Madrid !!

TVTB

Marisol
_________________
La vera ricchezza è prendere la vita con amore, donando amore.

[Marisol]

Queste sono per me, le diverse categorie dentro del mestiere d'attore:

.- L'attore pessimo.
Per molto che lo tenti e si impegni, non arriverà mai ad essere attore. Di niente servono le sue classi di interpretazione a diario... non ha nessuna attitudine, meglio è che si dedichi ad un'altra cosa. (Ce ne sono belli e brutti attori);

.- L'attore mediocre.
La sua attitudine per la recitazione è mediana o discreta, piuttosto male, non ha talento speciale né sufficiente capacità per l'attività che realizza. Non ha un talento speciale, né sufficiente capacità. Ancora così, continua a tentarlo ed ogni tanto fa qualche ruolo, normalmente secondario, senza molto successo di critica, direttore e compagni. (Ce ne sono belli e brutti attori);

.- L'attore... senza più.
Rappresenta bene il suo ruolo in cinema, televisione e teatro...fa bene la sua recitazione. A volte con abbastanza successo, altre con meno. Normalmente ha una buona preparazione, ha assistito o assistesti a classi di recitazione, normalmente è un buon professionista, serio e responsabile del suo lavoro, che per lui è molto importante. Può vivere del suo mestiere: essere attore. (Ce ne sono belli e brutti attori);

.- L'attore eccellente.
È molto buono, eccelle nella sua professione di attore rispetto ad altri attori. È grandioso, magnifico in quello che si riferisce al suo lavoro, eccelle in quanto alla sua qualità, superiorità, e per ciò è oggetti di una stima e di una valutazione elevata ed inoltre eccelle della mezza. Dimostra un'abilità o una capacità differente, oltre lo corrente, e difficile da superare per il resto. (Ce ne sono belli e brutti attori).

E dopo sta, al di sopra di questa ultima... una categoria speciale, unica, la massima categoria....

.- L'attore Alessandro Preziosi.
È per eccellenza "L'Attore". È unico. È bravissimo. È grandioso. È fantastico. Non c'è un altro uguale... semplicemente è la categoria: l'attore Ale!!
(È bellissimo esternamente, ma è moltissimo più, all'interno).




Tanti baci con grande affetto da Madrid.

TVTB Ale !!!

Marisol
_________________
La vera ricchezza è prendere la vita con amore, donando amore.